by on
Studio 2, Abbey Road
Studio 2, Abbey Road
Studio 2, Abbey Road
Studio 2, Abbey Road
‘Yes I Can’ film set, Park Royal

In preparation for the Paralympics 2016, Charlotte had the opportunity to be a part of the recording of an arrangement on Sammy Davis Jr.’s ‘Yes I Can’ for an advert on Channel 4.

This recording took place in the iconic Studio 2 of Abbey Road, where the Beatles did a vast majority of their recordings.

As librarian, Charlotte was in charge of providing all scores and parts.

by on
The Hall, AIR Studios
The Hall, AIR Studios

Charlotte spent the day in the Hall, AIR studios helping with the recording of Guy Farley’s re-release of the ‘Modigliani’ film album.

This particular arrangement was for cello and piano and was performed by the brilliant, Josephine Knight and Huw Watkins.

As librarian, Charlotte prepared all scores for the session.

by on

Charlotte had the privilege to be on a recording for an arrangement by Guy Farley on the Rosemary Clooney classic, ‘Sway’ for a Carte D’or advert. The day was spent in Studio 1, AIR Studios recording a full brass band.

Charlotte’s role as librarian was to prepare all instrumental parts for the players as well as all scores for Guy and Geoff Foster, the engineer for the session.

by on
This is a sample caption

This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers. (more…)

by on

This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers.

by on

This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

by on
Recording in the Hall, AIR Studios
Recording in the Hall, AIR Studios
Recording in the Hall, AIR Studios

Charlotte spent the day in the Hall in AIR Studios for the recording of Guy Farley and Christopher Slaski’s score of the documentary film directed by Friedrich Moser, ‘A Good American’.

Charlotte was on hand following through the session to help with any corrections that needed to be made on instrumental parts during recording.

The film was released in November 2015.

by on
Abbey Road Studios
Studio 1, Abbey Road
Control Room, Studio 1, Abbey Road
Recording in Studio 1, Abbey Road
Recording in Studio 1, Abbey Road
Studio 1, Abbey Road Studios

Charlotte had the privilege to spend the day in Studio 1, Abbey Road Studios, on session with the fantastic Guy Farley for the recording of his latest album for Audio Networks.

Charlotte was put in charge of the preparation of all parts and scores for the session, including following through as the recording went on, being on aide for any corrections that needed to be made.