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Charlotte was commissioned earlier this year to write a wedding piece for Matthew and Jane Stahl for their wedding day.

The piece was performed and recorded live at All Souls Church in Regents Street, London as Jane walked down the aisle.

‘Agapé’ was the chosen title of this work, due to its relationship to the meaning of ‘love’ in Christianty as well as being one of the four ancient Greek gods of ‘love’, this god representing unconditional love.

The piece was written for violin, cello, piano, and soprano and tenor voices. Charlotte played the cello for this ceremony and recording.

Lyrics were set by Rhys Laverty from a passage from the Bible – ‘Song of songs, Chapter 2’.

Recording to follow shortly.

Charlotte has just started working with Gareth Griffiths of COOL Music for the Chamber Orchestra of London as a part-time fixer for orchestral film and tv recording sessions.

She has had the pleasure of working with Gareth on several sessions involving the Chamber Orchestra of London.

This line of work will see her in studios such as Abbey Road Studios, AIR Studios and Angel Studios on session for various film and TV projects, helping to manage and oversee session on behalf of the orchestral players.

She had her first set of sessions at Abbey Road Studio 3 and Angel Studios, Studio 1 on the TV series, ‘Vanity Fair’, music composed by Isobel Waller Bridge. ‘Vanity Fair’ will be airing later this summer in ITV.

Here is a link to the Chamber Orchestra of London’s website:

http://chamberorchestraoflondon.com/index.asp

Culture Club Australia 2017 Tour

Charlotte along with the Tom Bailey team will be travelling out to Australia for two weeks of gigs supporting Culture Club on the last leg of their Australia 2017 Tour.

Shows will be performed across the end of the November through to the middle of December at cities such as Melbourne, Brisbane, Newcastle, Sydney, Adelaide, Perth and many more.

The band will be supporting Boy George on each of his headline gigs across each venue and city.

Charlotte recently had another great set of gigs with the Johnny Hates Jazz team. The gigs were part of two separate 80’s nights’ events in Skegness and Bognor Regis.

The band had one hour sets on both nights to a crowd of excited 80’s fans with each venue reaching a capacicty of 500 people.

Charlotte was playing piano and singing backing vocals.

Below is clip of the band in sound check rehearsing ‘Me and my Foolish Heart’:

Charlotte had the great opportunity to assist on the Christmas campaign for Very.com in Studio 1 at Abbey Road Studios.

The session was spread across the day, with the full seventy-piece orchestra recorded in the morning session, the separate percussion in the afternoon, followed by mixing and mastering in the control room of Studio 1 in the evening.  Additions to the orchestra included the piano, harp, celeste as well as a mark tree and the sleigh bells.

Charlotte was on hand to assist players with parts, full scores, part alterations and on general standby for any issues that may have arose during the session.

Here is a clip of the orchestra, particularly the brass section in rehearsal:

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Charlotte has completed her first major commission. The piece is a concert overture and is written for a sixty-piece orchestra with the addition of the piano and harp.

The piece was given the title, ‘Volnost’ as well as its original Polish title, ‘Wolność’ which means ‘freedom’ or ‘to be set free’.

The piece will be performed by the ‘Eroica orchestra’ who are a semi-professional orchestra based in Chichester, made up of a mixture of students and players studying at various conservatoires across the country. The orchestra will be conducted by the young and upcoming conductor, James Thomas. The performance will take place early in 2018.

Dates and details of the performance will be posted up shortly.

Charlotte had the fantastic opportunity to be involved on a recording session for Tokio Myers new and upcoming album. She was assisting on the day with preparation of parts and scores, as well as helping with the general running of the day.

The day consisted of a three-hour brass session in the morning, a gospel choir and children’s choir in the afternoon, followed by various percussive instruments played by Tokio in the evening. The session was held at Angel Studios, in Studio 1.

Below is a clip of one of the takes of the brass session:

Below is another clip of the brass session, taken from inside the control booth:

Here is a clip of the gospel choir singing one of the chorus lines to the track ‘Baltimore’:

And here is a clip of the children’s choir singing the chorus to ‘Angel’: